Portrait Artists – You Can Do It
♫ Friday, December 17th, 2010By all means you can become one of the many portrait artists in the world. If you think you are falling short in your techniques; take lessons. With today’s technology much education can be found on video on demand. Information is at your fingertips as you tap your keyboard entering the Internet. You can sit down at any time of the day or night and take your lessons in the comfort of your home.
Drawing portraits is not difficult, however, you do need to learn basics and practice, practice, and practice. It is rehearsal observations that improve drawing skills. Before you start to paint your portrait it will need to be drafted. One of the first things you will need to learn is to draw what you see. This will take some training. One of the ways that I train myself is to cut a picture from a magazine, turn it upside down and draw what I see.
When moving the sheet of paper upside down or sideways it forces you to see what is there, not what you know is there. This will also remove what your perception sees. Unfortunately, our awareness can misinterpret how a figure truly appears. The other night I made myself do a drawing of a jar as an exercise. Trying to draw that jar was a lesson in drawing what you see. When I was done trying to duplicate the jar onto a sheet of paper; the results were very disappointing. The painting I drew was tall and lean with the lid inside the bottle.
The jar was a fat jar with an upright lid. The perspective of my jar drawing was very accurate. I really did not draw what I was seeing. I drew what I thought the jar looked like. The eyes of portrait artists are like the eyes of the camera. The eyes of the artists duplicates the image. Do not get discouraged. Practice is essential. If you tried this kind of exercise and you did not do well; practice. Instructors will tell you to draw each day. Practice will soon have you drawing and painting portraits. Portrait artists practice every day.
A good sketch is essential to a portrait painting. There should be alert to rate, proportion, size, and space. Paint the skin areas of the face, ears, and neck with desired flesh color. Slowly layer the paint to create shadows. Outline the face, ears, and neck with a thin coat of burnt umber. I find this especially important to separate face from neck and to emphasize ears if necessary. Paint on a portrait each and every day. Awareness practice will have you become a better painter and join other portrait artists in an amazing and interesting art form.
